





Bosch's Garden is an example of the steal-it-while-you-can mentality. Thus, Britannia possesses the marbles of the Parthenon; and France, loot from the pyramids. El Museo del Prado contains its share of the world's loot also. Ghosts of former myths and monarchs haunt its halls while Bosch's sprites and gnomes remind us of our not yet obsolete vision of hell, or is this our current idea of heaven?
Not wishing to repeat yesterday's ordeal in Cáceres, I bought a train ticket to Barcelona. A proudly aloof younger version of Javier Bardem sat across from me with myopic, moorish, perhaps mayan eyes. His regal posture signified Spanish culture, especially in these Castilian provinces. An older man, who reminded me of Van Gogh's Père Tanguy, sat next to Javier. Next to me sat a shy teenaged señorita. They saw me studying my Berlitz pocket book and offered to teach me Spanish rápidamente. "It's easy," indicated Señor Tanguy. After a few rounds of "Yo"..."You?"..."No, usted"..."Who, said?", it became apparent that I was hopeless, and we all drifted away into our own private slumbers. Although I may not have learned much Espagñol from them, what I did learn was that cultural differences, as taught in Dr. Greenberg's Anthropology 101, are like tattoos — attempts to prove that we are unique, when actually, it's just all cosmetics. With a little empathy, we cast off our painted surfaces and reveal the same universal emotions underneath, no matter where we hail from; and that's true for all the mammals too, domestic and out there. I am not as sure how much of this pertains to the bird class; they taste good though. Ave the ave!
Fell asleep around Zaragoza
