Returned to Vienna to view the
Klimts
once again.
Not as many there today as there were in 1975 before Mary Altman reclaimed her family's Klimt collection
that the Nazis stole.
So the
Gold Lady
is no longer there, but the Galerie Würthle still holds onto the Gold Coin Lady
Danaë,
whom my first girl friend agreed was a portrait of herself.
Frida Kahlo July 6th 1907
Marc Chagall July 7th 1887
Kathe Köllwitz July 8th 1867
David Hockney July 9th 1937
Camille Pissarro July 10th 1830
James Whistler July 11th 1834
Andrew Wyeth July 12th 1917
Mordecai Ardon July 13th 1896
Gustav Klimt July 14th 1862
Rembrandt July 15th 1606
Joshua Reynolds July 16th 1723
Jean Corot July 17th 1796
Giacomo Balla July 18th 1871
Edgar Degas July 19th 1834
Giorgio Morandi July 20th 1890
Edward Hopper July 22nd 1882
The liquidity of paint attracts the water sign personae
who enjoy painting themselves as morose as possible.
Many of my favorite painters have birthdays in the last half of the sign of the Crab (July 7th - July 23rd),
but not so many in the first half (June 21st - July 7th) .
The first half of this water sign, it seems, is for writers.
So far, I am neither a famous painter, nor famous writer.
But then, I am not writing this journal for everyone.
Before I left the vicinity of Vienna, I had a traipse through the Vienna Woods with all its trees neatly spaced.
I first heard the Tales of the Vienna Woods around '52 when Dad took Mom and me for our customary Sunday drive across the
flamingo islands of Biscayne Bay.
So these woods are not, as they are for others, the scenes my mind associates with the music that played forth from our tinny toned radio on that bright pastel afternoon
and initiated me into the world of orchestral music.
Which memories are public, and which are private, cannot always be distinguished by those who collect them.
Slept this night on a train thru Germany traveling toward Frankfurt...